#LoveTheatreDay is a celebration of all things stage. For a production to take place, many bees are working behind the scenes to ensure we reach as many people as possible, with the best possible work. Here are some of the English Touring Opera bees…
Alice Wright, Artistic Assistant
What is your role at English Touring Opera, what does it mean?
My role is an Artistic Assistant. This job involves being an office adminstrator, audition organiser, surtitle preparer and general helpful person during our busiest periods, when we are in rehearsals, production, and the lead up to the tour opening. It is incredibly varied and busy – but I love it!
What’s the most exciting thing you do there?
The most exciting thing for me is being involved with the opening of productions. I love nothing more than being in a theatre, and find it incredibly rewarding to see parts of a creative rehearsal process develop as we hurtle towards an opening of a show. Being in such close proximity to our productions is so exciting, and knowing that I am helping (in a small way!) create something so special is fantastic.
What’s the biggest challenge faced by the performing arts today? How is ETO doing its bit?
I think the biggest challenge is encouraging and nurturing people’s love of the arts when they are children. The performing arts give you such a wide range of intellectual and emotional experiences, it is a life education like no other and has to be encouraged and funded for if we want to see our passion and industry staying alive. ETO is doing it’s bit with a HUGELY wide range of education projects, ranging from taking children’s operas into schools (we reach over 10,000 people country-wide a year), running workshops specifically linked to the tours, performing with children in our ‘main stage’ productions, travelling with operas for children with special education needs, and so much more.
Do you recall a particular #LoveTheatre moment?
There are lots to choose from… but seeing Sondheim’s Merrily We Roll Along at the Menier Chocolate Factory in 2012 was amazing. The show was simply perfect.
A tough one: favourite opera of. all. times?
This is a tough one! I tend to go through phases of being competely obsessed with different operas. The top (rather eclectic) two at the moment are Puccini’s La bohème and Britten’s Noyes Fludde. La bohème has the most amazing, heartbreaking and perfectly formed score, I hear something different every time I see it, and Noyes Fludde is the first opera I really got to know well, and I love it because it invites everyone to be involved (performers and audience!). There is nothing exclusive about it, it is Britten telling a story that anyone can be part of, and he does it very well!